Eeny Meeny (A Helen Grace Thriller), by M. J. Arlidge
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Eeny Meeny (A Helen Grace Thriller), by M. J. Arlidge
Best Ebook Eeny Meeny (A Helen Grace Thriller), by M. J. Arlidge
The "dark, twisted, thought-provoking" (#1 New York Times bestseller Tami Hoag) international bestseller—first in the new series featuring Detective Helen Grace.Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.It’s a game more twisted than any Detective Helen Grace has ever seen. If she hadn’t spoken with the shattered survivors herself, she almost wouldn’t believe them.Helen is familiar with the dark sides of human nature, including her own, but this case—with its seemingly random victims—has her baffled. But as more people go missing, nothing will be more terrifying than when it all starts making sense....
Eeny Meeny (A Helen Grace Thriller), by M. J. Arlidge - Amazon Sales Rank: #25174 in Books
- Brand: Arlidge, M. J.
- Published on: 2015-06-02
- Released on: 2015-06-02
- Original language: English
- Number of items: 1
- Dimensions: 8.24" h x .91" w x 5.44" l, .76 pounds
- Binding: Paperback
- 432 pages
Eeny Meeny (A Helen Grace Thriller), by M. J. Arlidge Review “Dark, twisted, thought-provoking, and I couldn’t turn the pages fast enough. Take a ride on this roller coaster from hell—white knuckles guaranteed.”—Tami Hoag, #1 New York Times bestselling author of Cold Cold Heart "No doubt about it! Eeny Meeny debuts one of the best new series detectives, Helen Grace. Determined, tough, and damaged, she must unravel a terrifying riddle of a killer kidnapping victims in pairs to send a particularly personal message. Mesmerizing!”—Lisa Gardner, #1 New York Times bestselling author of Crash & Burn "What a great premise! . . . Eeny Meeny is a fresh and brilliant departure from the stock serial killer tale. And Detective Inspector Helen Grace is one of the greatest heroes to come along in years.”—Jeffery Deaver, New York Times bestselling author of The Skin Collector and Solitude Creek “There are so many things about this novel that are expertly pulled off. It has a devious premise. DI Helen Grace is fiendishly awesome. It's scary as all hell….Eeny Meeny is a dark, edgy thriller.”—Will Lavender, New York Times bestselling author of Obedience“[A] gripping debut…Helen Grace [is] a flawed but winning heroine…The pages fly by.”—USA Today
“[An] engrossing first novel...Readers will look forward to seeing more of this strong, intelligent, and courageous lead.”—Publishers Weekly “[A] taut, fast-paced debut.”—The Sun (UK) “A tapestry that chills to the bone.”—Daily Mail (UK) “A fast-paced roller-coaster ride.”—Life Through Books “A thrilling and enjoyable read…a shocking twist at the end.”—The Crime Scene “[A] rip-roaring affair…pulls no punches with its opening lines and doesn’t let go until the very last.”—Boy, Let’s Talk About Books
About the Author M. J. Arlidge has worked in television for the past fifteen years, and he lives in England. His debut novel, Eeny Meeny, has been sold in twenty countries.
Excerpt. © Reprinted by permission. All rights reserved.
1
Sam is asleep. I could kill him now. His face is turned from me—it wouldn’t be hard. Would he stir if I moved? Try to stop me? Or would he just be glad that this nightmare was over? I can’t think like that. I must try to remember what is real, what is good. But when you’re a prisoner, the days seem endless and hope is the first thing to die. I rack my brains for happy memories to hold off the dark thoughts, but they are harder and harder to summon. We’ve been here only ten days (or is it eleven?), yet normal life already seems a distant memory. We were hitching back from a gig in London when it happened. It was pouring rain and a succession of cars had sailed past without a second look. We were soaked to the skin and about to turn back when finally a van pulled over. Inside, it was warm and dry. We were offered coffee from a flask. Just the smell of it was enough to cheer us up. The taste was even better. We didn’t realize it would be our last taste of freedom. When I came to, my head was pounding. Blood coated my mouth. I wasn’t in the warm van anymore. I was in a cold, dark space. Was I dreaming? A noise behind me made me start. But it was only Sam stumbling to his feet. We’d been robbed. Robbed and dumped. I scrambled forward, clawing at the walls that enclosed us. Cold, hard tiles. I crashed into Sam and for a brief moment held him, breathing in that smell I love so much. Then the moment passed and we realized the horror of our situation. We were in a disused diving pool. Derelict, unloved, it had been stripped of the boards, signs and even the steps. Everything that could be salvaged had been. Leaving a deep smooth tank that was impossible to climb out of. Was that evil shit listening to our screams? Probably. Because when we finally stopped, it happened. We heard a mobile phone ringing and for a brief, glorious moment thought it was someone coming to rescue us. But then we saw the phone’s face glowing on the pool floor beside us. Sam didn’t move, so I ran. Why did it have to be me? Why does it always have to be me? “Hello, Amy.” The voice on the other end was distorted, inhuman. I wanted to beg for mercy, explain that they’d made a terrible mistake, but the fact that they knew my name seemed to rob me of all conviction. I said nothing, so the voice continued, relentless and dispassionate: “Do you want to live?” “Who are you? What have you done to u—?”“Do you want to live?” For a minute, I can’t reply. My tongue won’t move. But then: “Yes.” “On the floor by the phone you’ll find a gun. It has one bullet in it. For Sam or for yourself. That is the price of your freedom. You must kill to live. Do you want to live, Amy?” I can’t speak. I want to vomit. “Well, do you?” And then the phone goes dead. Which is when Sam asks: “What did they say?” Sam is asleep beside me. I could do it now. 2 The woman cried out in pain. And then was silent. Across her back, livid lines were forming. Jake raised the crop again and brought it down with a snap. The woman bucked, cried out, then said: “Again.” She seldom said anything else. She wasn’t the talkative type. Not like some of his clients. The administrators, accountants and clerks stuck in sexless relationships were desperate to talk—desperate to be liked by the man who beat them up for money. She was different, a closed book. She never mentioned where she’d found him. Or why she’d come. She issued her instructions—her needs—clearly and crisply, then asked him to get on with it. They always started by securing her wrists. Two studded leather straps pulled taut, so that her arms were tethered to the wall. Iron ankle fetters secured her feet to the floor. Her clothes would be neatly stowed on the chair provided, so there she’d stand, chained, in her underwear, awaiting punishment. There was no role play. No “Please don’t hurt me, Daddy” or “I’m a bad, bad girl.” She just wanted him to hurt her. In some ways it was a relief. Every job becomes routine after a while and sometimes it was nice not to have to pander to the fantasies of sad, wannabe victims. At the same time it was frustrating, her refusal to strike up a proper relationship with him. The most important element of any S&M encounter is trust. The submissive needs to know that they are in safe hands, that their dominator knows their personality and their needs and can give them a fulfilling experience on terms that are comfortable for both parties. If you don’t have that, then it swiftly becomes assault or even abuse—and that was most definitely not Jake’s bag. So he chipped away—the odd question here, the odd comment there. And over time he’d divined the basics: that she wasn’t from Southampton originally, that she had no family, that she was closing in on forty and didn’t mind. He also knew from their sessions together that pain was her thing. Sex didn’t come into it. She didn’t want to be teased or titillated. She wanted to be punished. The beatings never went too far, but they were hard and unremitting. She had the body to take it—she was tall, muscular and seriously toned—and the traces of ancient scars suggested she was not new to the S&M scene. And yet for all his probing, all his carefully worded questions, there was only one thing that Jake knew about her for sure. Once, when she was getting dressed, her photo ID slipped from her jacket pocket onto the floor. She snatched it up in a heartbeat—thought he hadn’t seen, but he had. He thought he knew a bit about people, but this one had taken him by surprise. If he hadn’t seen her ID, he’d never have guessed that she was a policewoman. 3 Amy is squatting a few feet away from me. There’s no awkwardness now and she urinates on the floor without embarrassment. I watch as the thin sliver of piss hits the tiles, tiny droplets of it bouncing back up to settle on her dirty knickers. A few weeks ago I would have turned away at the sight, but not now. Her urine snakes its way slowly down the slope to join the stagnant puddle of waste that has built up at the deeper end. I’m glued to its progress but finally the last drops disappear and the entertainment is over. She retreats to her corner. No words of apology, no acknowledgment. We have become animals, careless of ourselves and of each other. It wasn’t always like this. At the beginning, we were furious, defiant. We were determined that we would not die here, that together we would survive. Amy stood on my shoulders, her nails cracking as she clawed the tiles, straining to reach the lip of the pool. When that didn’t work, she tried jumping up from my shoulders. But the pool is fifteen feet deep, maybe more, and salvation seems forever just out of reach. We tried the phone but it was PIN-locked and after we’d tried a few combinations it ran out of power. We shouted and screamed until our throats raged. All we heard in response was our echo, mocking us. Sometimes it feels like we are on another planet, with not another human being for miles around. Christmas is approaching, there must be people out looking for us, but it’s hard to believe that here, surrounded by this terrible, enduring silence. Escape is not an option, so now we simply survive. We chewed our nails until our fingers bled, then sucked up the blood greedily. We licked the condensation from the tiles at dawn, but still our stomachs ached. We talked about eating our clothes . . . but thought better of it. It’s freezing at night and all that keeps us from dying of hypothermia is our scant clothing and the heat we glean from each other. Is it my imagination or have our embraces become less warm? Less secure? Since it happened, we have clung to each other day and night, willing each other to survive, desperate not to be left alone in this awful place. We play games to pass the time, imagining what we will do after the cavalry arrives—what we will eat, what we will say to our families, what we will get for Christmas. But slowly these games have tailed off as we realize that we were brought here for a purpose and that there will be no happy ending for us. “Amy?” Silence. “Amy, please say something.” She doesn’t look at me. She doesn’t talk to me. Have I lost her for good? I try to imagine what she’s thinking, but I can’t. Perhaps there is nothing left to say. We have tried everything, explored every inch of our prison, looking for a means of escape. The only thing we haven’t touched is the gun. It sits there still, calling to us. I raise my head and catch Amy looking at it. She meets my eye and drops hers. Could she pick it up? A fortnight ago, I’d have said no way. But now? Trust is a fragile thing—hard to earn, easy to lose. I’m not sure of anything anymore. All I do know is that one of us is going to die. 4 Stepping out into the crisp evening air, Helen Grace felt relaxed and happy. Slowing her pace, she savored this moment of peace, casting an amused eye over the throng of shoppers that surrounded her. She was heading for Southampton’s Christmas market. Ranged along the southern flank of the WestQuay shopping center, the market was an annual event—an opportunity to buy original, handcrafted presents that weren’t on any Amazon wish list. Helen hated Christmas, but every year without fail she bought something for Anna and Marie. It was her one festive indulgence and she always made the most of it. She bought jewelry, scented candles and other trinkets but didn’t stint on the comestibles either, snapping up dates, chocolates, an obscenely expensive Christmas pudding and a pretty packet of peppermint creams—Marie was particularly partial to those. She retrieved her Kawasaki from the WestQuay car park and blasted through the city center traffic, heading southeast toward Weston. She was speeding away from excitement and affluence and toward deprivation and despair, drawn inexorably toward the five monolithic tower blocks that dominate the skyline there. For years they’ve greeted those approaching Southampton by sea and in the past they were worthy of such an honor, being imposing, futuristic and optimistic. But it was a very different story now. Melbourne Tower was by far the most dilapidated. Four years ago, an illegal drugs factory had exploded on the sixth floor. The damage was extensive, the heart ripped out of the building. The council promised to rebuild it, but the recession put paid to their plans. It was still technically scheduled for renovation but no one believed it would happen now. So the building remained as it was, wounded and unloved, abandoned by the vast majority of the families who used to live there. Now it was the terrain of junkies, squatters and those with nowhere else to go. It was a nasty, forgotten place. Helen parked her motorbike a safe distance from the towers and continued on foot. Women generally didn’t walk the projects alone at night, but Helen never felt concerned for her safety. She was known here and people tended to steer clear, which suited her fine. All was quiet tonight, apart from some dogs sniffing around a burned-out car, so Helen picked her way past the needles and condoms and stepped inside Melbourne Tower. On the fourth floor, she paused outside flat 408. It had once been a nice, comfortable council flat, but now it looked like Fort Knox. The front door was riddled with dead bolts, but more striking were the metal grilles—padlocked firmly shut—that reinforced the main entrance. The vile graffiti—flid, retard, mong—that covered the exterior gave a clue as to why the flat was so protected. It was the home of Marie and Anna Storey. Anna was severely disabled, unable to speak, feed herself or go to the toilet. Anna, now fourteen, needed her middle-aged mother to do everything for her, so her mum did the best she could. Living on benefits and handouts, buying food from Lidl, being sparing with the heating. They would have been okay like that—these were the cards they’d been dealt and Marie was not one to be bitter—had it not been for the local yobs. The fact that they had nothing to do and were from broken homes was no excuse. These kids were just nasty thugs who enjoyed belittling, bullying and attacking a vulnerable woman and child. Helen knew all this because she’d taken a special interest in them. One of the scrotes—a vicious, acne-covered dropout called Steven Green—had attempted to burn out their flat. The fire crew had got there in time and the damage was contained to the hallway and front room, but the effect on Marie and Anna had been devastating. They were utterly terrified when Helen interviewed them. This was attempted murder and someone needed to be called to account for it. She did her best, but the case never went to court for lack of witnesses. Helen urged her to move, but Marie was stubborn. The flat was their family home and had been kitted out specially to deal with Anna’s mobility limitations. Why should they have to move? Marie sold what valuables she still possessed to fortify the flat. Four years later, the drugs factory blew up. Before that, the lift had worked fine and flat 408 was basically a happy home. Now it was a prison. Social Services was supposed to call round to keep an eye on them, but they avoided this place like the plague and visits were fleeting at best. And so Helen, who had little to keep her home at night, would pop in. Which was why she’d been there when Steven Green and company returned to finish the job. He was high as usual and clutching a petrol can that he was trying to light with a homemade fuse. He didn’t get the chance. Helen’s baton caught him on the elbow, then across the neck, sending him sprawling to the floor. The others were caught off guard by the sudden appearance of a copper and dropped their petrol bombs to flee. Some of them made it; some of them didn’t. Helen had been well trained in how to take the legs out from under fleeing suspects. She foiled the attack and not long after had the distinct pleasure of watching Steven Green and three of his closest friends get a substantial prison sentence. Some days the job really did give back. Helen suppressed a shiver. The dingy corridors, the broken lives, the graffiti and filth were too redolent of her own upbringing not to provoke a reaction. It conjured up memories she’d fought hard to suppress and which she forced back down now. She was here for Marie and Anna—she refused to let anything darken her mood today. She knocked on the door three times—their special code—and after much unlocking, the door swung open. “Meals on Wheels?” Helen ventured. “Piss off,” came the predictable reply. Helen smiled as Marie opened the outer grille for her to enter. Already her dark thoughts were receding—Marie’s “warm” welcome always had that effect on her. Once inside, Helen doled out her gifts, received hers and felt utterly at peace. For a brief moment, flat 408 was her sanctuary from a dark and violent world. 5 The rain poured down, washing away her tears. It should have felt cleansing, but it didn’t—she was too far gone for that. She plunged madly through the tangled foliage of the wood, not heeding her direction. She just needed to keep going. Away. Away. Away. Thorns tore at her face; stones lacerated her feet. But on she went. Her eyes scanned desperately for someone, something, but all she could see were trees. For a moment she had a terrible thought—was she even in England still? She screamed for help, but her cries were feeble, her throat too hoarse to function. At Sampson’s Winter Wonderland, families were queuing patiently for Santa’s Grotto. The whole site was really just a handful of tents hastily erected on muddy farmland, but the kids seemed to like it. Father of four Freddie Williams had just bitten into his first mince pie of the season when he saw her. Through the driving rain, she appeared ghostly. Freddie’s mince pie hung in midair as she limped slowly but deliberately across the site, her eyes fixed on him. On closer inspection, she wasn’t ghostly; she was pitiful—bedraggled, bleeding and deathly pale. Freddie didn’t want any part of her—she looked mental—but his legs wouldn’t move, rendered immobile by the fierceness of her gaze. She covered the last few yards quicker than he’d expected and suddenly he was reeling backward as she launched herself upon him. His mince pie somersaulted into the sky, landing with a satisfying splat in a puddle. In the site office, swathed in a blanket, she didn’t look any less mental. She wouldn’t tell them where she’d been or where she was from. She didn’t even seem to know what day it was. In fact, all they could get out of her was that she was called Amy and that she’d murdered her boyfriend that morning. Helen jammed the brakes and came to a halt outside Southampton Central Police Station. The futuristic glass and limestone building towered above her, commanding fantastic views over the city and the docks. It was only a year or two old and by any measure was an impressive nick. State-of-the-art custody facilities, a Crown Prosecution Service unit on site, SmartWater testing facilities—it had everything a modern copper needed. She parked up and walked inside. “Sleeping on the job, Jerry?” The desk sergeant snapped out of his daydream and tried to look as busy as possible. They always sat up a bit straighter when Helen entered. This wasn’t just because she was a detective inspector; it also had something to do with the way she carried herself. Entering the building clad in her bike leathers, she was six feet of driving ambition and energy. Never late, never hungover, never sick. She lived and breathed her job with a fierceness they could only dream of. Helen headed straight for the offices of the Major Incident Team. Southampton’s flagship nick might be revolutionary, but the city it watched over remained unchanged. As Helen surveyed the caseload, she sagged a little at the predictable familiarity of it all. A domestic argument that had ended in murder—two lives ruined and a young child taken into care. The attempted murder of a Saints fan by traveling Leeds United supporters, and most recently the brutal killing of an eighty-two-year-old man in a botched mugging. His attacker had dropped the stolen wallet while fleeing the scene, handing the police a clean fingerprint and a swift ID. The perpetrator was well known to Southampton police—just another lowlife who had devastated an unsuspecting family in the run-up to Christmas. Helen was due to brief Crown Prosecutin Service lawyers on the particulars this morning. She opened the file, determined that the case against this little thug should be absolutely watertight. “Don’t get too comfortable. Job’s on.” Mark, her DS, approached. A handsome and talented copper, Detective Sergeant Mark Fuller had worked hand in glove with Helen for the last five years. Murder, child abduction, rape, sex trafficking—he’d helped her solve numerous unpleasant cases and she had come to rely on his dedication, intuition and bravery. A nasty divorce had taken its toll, however, and recently he’d become erratic and unreliable. Helen was depressed to notice that he once again smelled of booze. “Young girl who says she’s killed her boyfriend.” Mark extracted a photo from his file and handed it to Helen. It had the distinctive Missing Persons stamp on the top right-hand corner. “Victim’s name is Sam Fisher.” Helen looked down at the snapshot of a fresh-faced young man. Clean-cut, optimistic, even a touch naive. Mark paused a moment, allowing Helen to examine the photo, before handing her another. “And our suspect. Amy Anderson.” Helen couldn’t hide her surprise as she took in the image. A beautiful bohemian girl—twenty-one years old at the very most. With long flowing hair, striking cobalt eyes and delicate lips, she looked the definition of youth and innocence. Helen picked up her jacket. “Let’s go, then.” “Do you want to drive or shall—?” “I will.” They walked down to the car pool in silence. En route, Helen extracted her DC, who’d been liaising with Missing Persons. The irrepressibly perky Detective Constable Charlene “Charlie” Brooks was a good officer, diligent and spirited, who resolutely refused to dress like a cop. Today’s offering was skintight leather trousers. It was beyond Helen’s remit to take her to task over her dress sense, but she was tempted to nevertheless. In the car, the stale alcohol on Mark’s breath smelled even stronger. Helen cast a sideways look at him before rolling down the window. “So what have we got?” she asked. Charlie already had the file open. “Amy Anderson. Reported missing a little over two weeks ago. Last seen at a gig in London. She e‑mailed her mother on the evening of the second of December to say she was hitching home with Sam and would be back before midnight. No sign of either since. Her mother phoned it in.” “Then what?” “She turns up at Sampson’s this morning. Says she’s killed her boyfriend then clams up. Won’t say a word to anybody now.” “And where’s she been all this time?” Mark and Charlie looked at each other. Mark eventually replied: “Your guess is as good as mine.” They parked the car in the Winter Wonderland car park and marched to the site office. Entering the tired trailer office, Helen was shocked by the sight that greeted her. The young woman huddling beneath a tatty blanket looked wild, unhinged and painfully thin. “Hello, Amy. My name’s Detective Inspector Helen Grace—you can call me Helen. May I sit down?” No response. Helen carefully eased herself into the chair opposite. “I’d like to talk to you about Sam. Is that okay?” The girl looked up, a horrified expression spread over her ravaged features. Helen studied her face intently, mentally comparing it to the photo she’d seen earlier. If it hadn’t been for her piercing blue eyes and the historic scar on her chin, they’d have struggled to ID her. Her once lustrous hair was lank, knotted and greasy. Her fingernails were long and dirty. Her face, arms and legs looked like a frenzy of self-harm. And then there was the smell—that’s what hit you first. Sweet. Pungent. Revolting. “I need to find Sam. Can you tell me where he is?” Amy closed her eyes. A single tear escaped its confines and ran down her cheek. “Where is he, Amy?” A long silence and then finally she whispered: “The woods.” Amy categorically refused to leave the sanctuary of the trailer office, so Helen had to use the dog. She left Charlie to babysit Amy, ordering Mark with her. Simpson, the retriever, buried his nose in the bloodstained rags that had once been Amy’s clothes, then shot off through the woods. It wasn’t hard to see where she’d been. Her progress through the woods had been so blind, so crashing, that she’d rent great holes in the thick undergrowth. Bits of cloth, bits of skin decorated her path. Simpson hoovered these up, bounding through the brush. Helen kept pace behind him and Mark was determined not to be outrun by a woman. But he was laboring, sweating alcohol. The lonely building came into view. A municipal swimming baths, long since earmarked for demolition, a sad relic of fun times gone by. Simpson clawed at the padlocked door, then broke away, racing around the building before eventually coming to rest by a broken window. Fresh blood decorated the cracked panes. They had found Amy’s cocoon. Getting inside was tough. Despite the building’s derelict state, care had been taken to secure every possible entry and exit. Secure it against whom? Nobody lived round here. Eventually the lock was forced and the usual ballet began, shoes cased in sterile covers skating over the floor. And there he was. Lying fifteen feet below them in the diving pool. A brief delay as a long ladder was sought, then Helen was in the pool, face-to-face with Amy’s “Sam.” He was a straitlaced kid, bound for a law firm, but you wouldn’t have known that to look at him. He looked like the corpse of any old dosser you might find on the streets. His clothes were stained with urine and excrement, his fingernails cracked and dirty. And his face. His gaunt face was contorted into a hideous expression—fear, agony and horror written in his twisted features. In life he had been handsome and winning. In death he was repulsive.
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13 of 14 people found the following review helpful. More, please By Bookphile Sometimes it's so hard to find a crackling good mystery/thriller novel. I've been reading them for decades now, and while I do tend more toward the literary type, I like everything from police procedurals to psychological suspense to the classic whodunit and everything in between. What really struck me about this book is that it tackles some of the ambitious elements of various genres and does it very well, a feat that could have resulted in a hot mess in the hands of a less skilled writer. Some spoilers to follow.This is a snappy book told in over 100 short chapters, which makes it a fast and compulsive read. Sometimes this device doesn't work for me because it leaves me feeling as though I'm only getting surface information about the characters. Not so here. Arlidge's writing is economical but not stingy. The chapters are tight, taut, and don't have a single misplaced or superfluous word, yet I had a very strong sense of every one of the characters and their foibles and flaws.And the characters in this book are flawed, oh yes. The cast is fairly large, which is another area that could lead to disaster, but Arlidge did a phenomenal job of creating a concrete pictures of each of them. Their motives are carefully considered, and their actions make sense within the context of their backgrounds and life experiences. I really learned a lot about these characters, to the point where I felt like I knew who they really were, not just what flavor of ice cream they liked or which colors they favored. That depth of characterization is something I don't get from many novels, and it can sometimes be severely lacking in this genre. So despite that it's part police procedural and part chase novel, it comes across as very literary. I also appreciated that Arlidge didn't try to pretty his characters up or worry about making Helen Grace 'likable'--whatever that's supposed to mean. These aren't perfect people, and they're all the better for it.The mystery itself is central to the book in a way I won't discuss in detail because it would give too much away. Sometimes with mystery novels I get the impression that the crime is there just to motivate the characters instead of feeling like the crime is an integral part of the novel itself. There's a reason why this book in particular avoids that trap, but even so, I had the feeling that the police officers Arlidge describes are dedicated, driven individuals for whom solving a crime is a compulsion necessitated by their personalities. Helen Grace in particular seems driven not just by career aspirations but by the need to see justice done for her victims. Sometimes mystery novels treat the victims like so much set decoration, but I thought they were given their full due here, treated like people who were important and whose loss had serious resonance.And if you like a very psychologically driven book, you'll like this one. It was every bit as affecting and shocking as a book like Gone Girl, though it's quite different from that book. What they share in common isn't so much the mode of their storytelling but the fact that they both delve very, very deeply into the dark corners of the human psyche. These are characters who think, not just react. Arlidge does a great job of allowing the reader to get a glimpse of their inner wheels turning, and he does so in a very compelling and fascinating way.I've seen The Girl on the Train touted as this year's Gone Girl, but I think that title would be more deservedly bestowed on this book. While I did like The Girl on the Train, I thought this book did a more skillful job of showing the depths to which obsession can drive a person. This series is bursting at the seams with promise, and I can hardly wait for a second installment, particularly because I'm very eager to see what will have become of the characters in the aftermath of the explosive ending.
7 of 7 people found the following review helpful. Eeny Meeny By Kathleen Kelly "Sam is asleep, I could kill him now. His face is turned from me-It wouldn't be hard. Would he stir if I moved? Try to stop me? Or would he just be glad that this nightmare was over?"So, did that grab you? It did me too. These first few lines of Eeny Meeny had me thinking, ok, now why would this person say that? Well, as it turns out, this woman and her boyfriend wake up in a covered, empty swimming pool, not sure how they got there. After they wake up, they receive a phone call, on the phone left with them next to a gun. Their instructions are simple, one of you must die. After the deed is done, the person left alive is let go.Detective Helen Grace is a flawed individual, lots of baggage from her past keeps her from having any relationships, but in spite of that she is a good cop. As a survivor herself, she can sympathize with the people who come in and tell their bizarre story of their abduction. As time goes by, there are more couples abducted and held prisoner without food or water until one of them kills the other.What is the motive behind this, well that is what Helen has to figure out along with her team. Alongside that there is a reporter who hounds Helen for the story, then someone leaks details to the press, details that only the police know. This, of course, leads Helen to believe that someone on the inside is the one leaking the details. It comes down to Helen being suspicious of a close co-worker. Can she figure out who and why these crimes are being committed, it is a race against the killer before he or she abducts more innocent people.I love a good crime novel, and this one was no exception, believable characters, an interesting plot all make for an edge of your seat thriller. I am glad to see that this is going to be a series because I am curious to see if Helen can conquer her own demons. I thoroughly enjoyed the story and recommended it for the reader who likes a well-told story.I received this book for review and was not monetarily compensated for my thoughts.
17 of 21 people found the following review helpful. Here's hoping this is a series! By Amazon Customer There's nothing new about a central police character as damaged as the victims they are fighting for, and in many ways DI Helen Grace is one straight out of the mould. She's driven, single-minded, single and a devoted cop and good and supportive boss. She's not a woman who is just suffering from "women's issues" - she's a cop with a hard and complicated past, dealing with it in a manner that's sad and yet somehow unsurprising. This is a women who is beating herself up on a daily basis, and still operating as a good, hard-working, dedicated cop. Who is hunting one of the most bizarre killers you'd ever come across.Which makes this a rather spooky and confrontational plot. Definitely not one for those whose sensibilities are easily offended. There's violence, terror, the worst of human nature and the particularly frightening idea that this killer is taking 2 people and putting them in the position of making a truly frightening choice. Starkly so in the first case - where a young couple are kidnapped, confined and left with a gun and that choice - one kill the other, and the survivor goes free. Whilst further cases and victims come to hand, somehow it's that first couple - young, planning a future, and being forced into that position that remains so profoundly upsetting and shocking.Not that the reader gets a lot of time to dwell in EENY MEENY. The pace is rapidfire and the combination of victim, crime, investigation and personal really elegantly balanced to give you even more reasons to keep reading. There is, however, enough time for the reader to identify with the victim's who "survived", and the cops chasing the killer.A killer who is female, and capable of some astounding feats of strength to say nothing of ruthlessness. Chased by a female cop, with a couple of well developed colleagues - one female and one male. Grace's DS Mike is a cop with his own personal problems - the breakdown of his marriage means he's drinking way too much, leaving the remaining main character - fellow cop Charlie with a surprisingly normal life. Although her much longed for pregnancy makes her vulnerable at the wrong time completely.As followers of my reviews will know I'm a bit over spending heaps of time in the head of the barking mad serial killer style of books just because that's a good place to get some shock value. There's none of that feeling here. There are short segments written from the perspective of a very damaged individual, but it's not killer-porn. It's sad, sinister and revealing and it all seems to be building on the "why" (there's twists and turns that mean it's less what you think it could be by the end). There are, actually a lot of twists and turns in this plot and some elements that, frankly, made me kick myself for not seeing coming.After finishing the book, a quick look at the author's bio indicates that M.J. Arlidge has worked in television for the past 15 years. Whilst there's nothing "script like" about EENY MEENY there is something visual about it. Uncomfortably so, because these are victims, and cops who remain with me, and I'm guessing will for quite sometime to come. It seems there is a second book in the works which will be on the read immediately list.[...]
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